I remember how the silver leaves fell down,
Extravagantly, as if in prefigured spirals,
From the fig tree you couldn’t keep alive,
And how, when you’d sat watching for a while
That lovely dying, then turned your face to me,
Your face seemed the same silver of the leaves.
It had to do partially, I suppose,
With the light--how the brief and intense dusk
Along 14th Street gathered in the canopy
Of chestnuts choked with vine, filtering
In through the three windows of your white room
To make a luminous lake in which we swam.
Looking all that autumn for a holier way
Of talking about things, you found yourself
Hardly able, at last, to speak at all;
And so, for long moments, no word would pass
Between us, when we had only to listen
To the quarter-hourly noise from a nearby church.
There was something greater to the sadness
Than simply the going away of your lover,
Or even our own past failure at love.
What sadness there was carried with it the weight
Of something intensely formal, and which would not
Be overcome by anything so commonplace
As a gesture shared between the two of us.
And so, as the light faltered and the leaves fell down,
I’d light a cigarette and sip my drink,
And you’d arrange your body at the window
Like some unfinished portrait of yourself. . . .
If there is nothing between a man and a woman
Except the light by which they see each other,
And a past in which they appear continually smaller,
And a future that seems already to have acquired
The irrevocability of the past,
It seems important, nevertheless, to acknowledge
Their brief victory: the surviving it.
- Joe Bolton, from The Last Nostalgia
