Saturday, October 21, 2017

Tragedy

Like pieces of a puzzle, we fit into tragedy
Nice and easy,
We fill the background with our little lives.

In your absence I have perfected my loneliness,
I have strung it like a clothesline between us.
On it I drape fragments of my being:
A lunchbox, a cyclamen, and a sigh.

By the greasy glass of the diner
We sat with our dreams in our laps
Staring at what could have been.
My hopes were too big for me, you said
No wonder they were sagging.
It is too much to ask of life, you said
Happiness...
But the streets I painted still glow
With the sheen of autumn drizzle,
And the laughs I imagined are frozen agape.
My place at the table is vacant still,
And that city that doesn't know me
Misses me already.

(Originally posted on June 08, 2005)

Friday, October 20, 2017

Palimpsest

We stopped celebrating
it
was irrelevant now.
Anniversaries can survive
the things they celebrate
only for so long.
And then the date goes back
to being itself,
only itself,
and nothing more...
And we to being strangers again.

But the slate is never clean;
the pressure lines remain
there, in the paper
where the writing once was.

(Originally posted on October 26, 2006)

Wednesday, October 18, 2017

The Coming

So here it is
Sew my lips together
For I have come back
To the futility of words

Here it is
Living like it makes a difference
A shroud colored
With the self-importance of the wind

I open the doors
To a new balcony
Leaves falling down my throat
Rake the dust
That has crusted over my eyelids
And blow me a sliver from afar

I have not emerged unscathed
In the chaos I let your hand
Trail its angry wayward path
I have been where the river ended
And we began
But our ghosts have abandoned its banks

I am coming back
Like a thirsty tomorrow
Like a shadow that's been strained of life
For much too long
I am coming like an old bombastic verse
To ring, ever more, in hollower ears

(Originally posted on July 25, 2005)

Tuesday, October 17, 2017

Highlights from "Less: A Novel" by Andrew Sean Greer


Kindle Location: 182
They might have done, many of them. So many people will do. But once you’ve actually been in love, you can’t live with “will do”; it’s worse than living with yourself.

201
Less looked at his lover, and perhaps a series of images flashed through his mind—a tuxedo jacket, a Paris hotel room, a rooftop party—or perhaps what appeared was just the snow blindness of panic and loss.

269
New York is a city of eight million people, approximately seven million of whom will be furious when they hear you were in town and didn’t meet them for an expensive dinner, five million furious you didn’t visit their new baby, three million furious you didn’t see their new show, one million furious you didn’t call for sex, but only five actually available to meet you. It is completely reasonable to call none of them.

338
A man he almost stayed with, almost loved, and now he does not even recognize him on the street. Either Less is an asshole, or the heart is a capricious thing. It is not impossible both are true.

407
Where is the real Less? Less the young man terrified of love? The dead-serious Less of twenty-five years ago? Well, he has not packed him at all. After all these years, Less doesn’t even know where he’s stored.

415
Less’s generation often feels like the first to explore the land beyond fifty. How are they meant to do it? Do you stay a boy forever, and dye your hair and diet to stay lean and wear tight shirts and jeans and go out dancing until you drop dead at eighty? Or do you do the opposite—do you forswear all that, and let your hair go gray, and wear elegant sweaters that cover your belly, and smile on past pleasures that will never come again? Do you marry and adopt a child? In a couple, do you each take a lover, like matching nightstands by the bed, so that sex will not vanish entirely? Or do you let sex vanish entirely, as heterosexuals do? Do you experience the relief of letting go of all that vanity, anxiety, desire, and pain? Do you become a Buddhist?

442
He wonders when their conversations had begun to sound like a novel in translation.

885
Is there a pill for when the image of a trumpet vine comes into your head? Will it erase it? Erase the voice saying, You should kiss me like it’s good-bye? Erase the tuxedo jacket, or at least the face above it? Erase the whole nine years?

887
The work, the habit, the words, will fix you. Nothing else can be depended on, and Less has known genius, what genius can do. But what if you are not a genius? What will the work do then?

890
The tragicomic business of being alive is getting to him.

932
Why do today’s young men insist on marrying? Was this why we all threw stones at the police, for weddings?

954
It was in the middle of their time together, when Less was finally worldly enough to be of help with travel and Robert had not become so filled with bitterness that he was a hindrance, the time when any couple has found its balance, and passion has quieted from its early scream, but gratitude is still abundant; what no one realizes are the golden years.

1,282
At ten, we climb the tree higher even than our mothers’ fears. At twenty, we scale the dormitory to surprise a lover asleep in bed. At thirty, we jump into the mermaid-green ocean. At forty, we look on and smile.

1,496
They knew trouble would come but expected it in degrees. Life so often arrives all of a sudden. And who knows which side you will find yourself on?

1,824
“Strange to be almost fifty, no? I feel like I just understood how to be young.” “Yes! It’s like the last day in a foreign country. You finally figure out where to get coffee, and drinks, and a good steak. And then you have to leave. And you won’t ever be back.”

1,860
“I wish I were single.” Less smiles bitterly at the subjunctive but does not move his arm. “I’m sure you don’t. Otherwise you would be.” “It is not so simple, Arthur.”

1,872
He must have been lonely a long time to stand before Arthur Less and ask such a thing. On a rooftop in Paris, in his black suit and white shirt. Any narrator would be jealous of this possible love, on this possible night.

1,876
“We’re too old to think we’ll meet again,” Less says.

2,069
“Arthur, you’re going to have to figure something out. You see all these men over fifty, these skinny men with mustaches. Imagine all the dieting and exercise and effort of fitting into your suits from when you were thirty! And then what? You’re still a dried-up old man. Screw that. Clark always says you can be thin or you can be happy, and, Arthur, I have already tried thin.”

2,086
It is, after all, almost a miracle they are here. Not because they’ve survived the booze, the hashish, the migraines. Not that at all. It’s that they’ve survived everything in life, humiliations and disappointments and heartaches and missed opportunities, bad dads and bad jobs and bad sex and bad drugs, all the trips and mistakes and face-plants of life, to have made it to fifty and to have made it here:

2,159
And I thought, Well, that was nice. That was a nice marriage.” “But you broke up with him. Something’s wrong. Something failed.” “No! No, Arthur, no, it’s the opposite! I’m saying it’s a success. Twenty years of joy and support and friendship, that’s a success. Twenty years of anything with another person is a success. If a band stays together twenty years, it’s a miracle. If a comedy duo stays together twenty years, they’re a triumph. Is this night a failure because it will end in an hour? Is the sun a failure because it’s going to end in a billion years? No, it’s the fucking sun. Why does a marriage not count? It isn’t in us, it isn’t in human beings, to be tied to one person forever. Siamese twins are a tragedy. Twenty years and one last happy road trip. And I thought, Well, that was nice. Let’s end on success.”

2,176
“It’s true things can go on till you die. And people use the same old table, even though it’s falling apart and it’s been repaired and repaired, just because it was their grandmother’s. That’s how towns become ghost towns. It’s how houses become junk stores. And I think it’s how people get old.”

2,179
I think maybe I’ll go it on my own. Maybe I’m better that way. Maybe I was always better that way and it was just that when I was young, I was so scared, and now I’m not scared.

2,192
Why this endless need for a man as a mirror? To see the Arthur Less reflected there? He is grieving, for sure—the loss of his lover, his career, his novel, his youth—so why not cover the mirrors, rend the fabric over his heart, and just let himself mourn? Perhaps he should try alone.

2,249
“She told me she met the love of her life,” Zohra says at last, still staring out the window. “You read poems about it, you hear stories about it, you hear Sicilians talk about being struck by lightning. We know there’s no love of your life. Love isn’t terrifying like that. It’s walking the fucking dog so the other one can sleep in, it’s doing taxes, it’s cleaning the bathroom without hard feelings. It’s having an ally in life. It’s not fire, it’s not lightning. It’s what she always had with me. Isn’t it? But what if she’s right, Arthur? What if the Sicilians are right? That it’s this earth-shattering thing she felt? Something I’ve never felt. Have you?”

2,265
“What is love, Arthur? What is it?” she asks him. “Is it the good dear thing I had with Janet for eight years? Is it the good dear thing? Or is it the lightning bolt? The destructive madness that hit my girl?” “It doesn’t sound happy” is all he can say.

2,312
We all recognize grief in moments that should be celebrations; it is the salt in the pudding.

2,322
Time has been waiting here all along. In a snowy alpine resort. With cuckoos. Of course Time would turn out to be Swiss.

2,323
Like a wintertime swimmer too numb to feel cold, Arthur Less is too sad to feel pity.

2,424
Boredom is the only real tragedy for a writer; everything else is material.

2,657
They are not young, not at all; there is nothing left of the boys they used to be. Why not sell his letters, his keepsakes, his paintings, his books? Why not burn them? Why not give up on the whole business of life?

2,668
“Arthur, I’ve got a theory. Now, hear me out. It’s that our lives are half comedy and half tragedy. And for some people, it just works out that the first entire half of their lives is tragedy and then the second half is comedy.

2,697
“Arthur, I changed my mind. You have the luck of a comedian. Bad luck in things that don’t matter. Good luck in things that do. I think—you probably won’t agree with this—but I think your whole life is a comedy. Not just the first part. The whole thing. You are the most absurd person I’ve ever met. You’ve bumbled through every moment and been a fool; you’ve misunderstood and misspoken and tripped over absolutely everything and everyone in your path, and you’ve won. And you don’t even realize it.”

2,701
He doesn’t feel victorious; he feels defeated. “My life, my life over the past year—” “Arthur Less,” Carlos interrupts, shaking his head. “You have the best life of anyone I know.” This is nonsense to Less.

2,829
It was one of the grandest and most dismaying experiences in Less’s life—Marcel Proust, that is—and the three thousand pages of In Search of Lost Time took him five committed summers to finish.

2,866
There is that scene at the end of Proust when our narrator, after many years out of society, arrives at a party furious no one told him it’s a costume party; everyone is wearing white wigs! And then he realizes. It isn’t a costume party. They have simply grown old.

2,884
I know I’m out of your life / But the day that I die / I know you are going to cry.

2,893
“My marriage is failing, it has been failing a long time. Marian and I hardly sleep together anymore. I get to bed very late, she gets up very early. She’s angry we never had children. And now that it’s too late, she’s even angrier. I’m selfish and terrible with money. I’m so unhappy. So, so unhappy, Arthur.

2,902
And Robert says nothing; he knows the absurdity of asking someone to explain love or sorrow. You can’t point to it. It would be as futile, as unconveyable, as pointing at the sky and saying, “That one, that star, there.”

Thursday, August 24, 2017

"Laguna Beach Breakdown" by Joe Bolton

You had come searching for a second chance,
But trying to break through, merely broke down,
Until at last any sense of purpose
Seemed nothing more than something else to lose.
You let it go and, seeing no reason to mourn
What you could no longer name, kept silence
Under the vast vacuum of heaven
Someone had nailed stars up to to hold in place.
You were hoping maybe a change of season
Might help, but there was none. You woke at dawn
Shuddering in the indifferent embrace
Of your own arms, unable to turn or return,
Dreaming of drowning, neutral as a seaweed in the war
The sea continually waged against the shore.

-from "The Last Nostalgia"


Friday, July 28, 2017

Silences

Tomorrow,
as I read my heart
out on the sidewalk,
you won't be listening.

The hunger you have sown in me
no one else could have.
How could hunger outgrow
the void it inhabits so?

In the white curve of imagined skin
I found my thirst staring me with a cleft lip,
lifted slightly at the corner,
eyes wilting above.

The rippled sinuousness of a childish gesture,
in red overalls parted right where it hurt,
was all I needed of summer.

And in their expectant faces, I saw my hunger—
but you still don't.

Here hunger is nameless—
only the slam of a door,
and an absence that lingers—

And here I lay your silence to rest,
step out,
and seek another...

(Edited; posted originally on 28 April 2007)

Monday, July 17, 2017

"Death Will Come" by Cesare Pavese

Death will come and will have your eyes—
this death that accompanies us
from morning till evening, unsleeping,
deaf, like an old remorse
or an absurd vice. Your eyes
will be a useless word,
a suppressed cry, a silence.
That’s what you see each morning
when alone with yourself you lean
toward the mirror. O precious hope,
that day we too will know
that you are life and you are nothingness. 
Death has a look for everyone.
Death will come and will have your eyes.
It will be like renouncing a vice,
like seeing a dead face reappear in the mirror,
like listening to a lip that’s shut.
We’ll go down into the maelstrom mute.

Cesare Pavese (1908-1950), a poet, novelist and critic, was a major Italian author of the 20th Century. "Death Will Come and Will Have Your Eyes" was among the poems found in his desk after his suicide. Considering the circumstances, it's strikingly haunting.

(Translated by Geoffrey Brock; reposted from Poem of the Week. You can find the original Italian text, "Verrà la morte e avrà i tuoi occhi," here.)

Thursday, June 29, 2017

"The Starlessness of the Fortieth Year" by Joe Bolton

"Maybe it's OK after all if you
Never write the great novel or make love
To the tan, oiled movie star in Rio.

Stretched out under an ordinary mauve
Sky, you count the stars that couldn't care less
About you. Blinded by their own cold light,

They've wheeled these forty years above your loss
And are little consolation tonight.
Even grand failures were beyond your reach:

Those heartbreak letters written and burned,
That Jewish girl who rode your hand so deep
Into orgasm she could not return.

What night requires, the singing dawn gives back,
Trustworthy as your inevitable heart attack."

- Joe Bolton, from "Bad Sonnets"

Monday, June 26, 2017

"Speak softly, for this is life" by Fernando Pessoa

"Speak softly, for this is life,
Life and my consciousness of it,
Because the night advances, I’m tired, I can’t sleep,
And if I go to the window
I see, beneath the eyelids of the beast, the stars’ many dwellings...
I wore out the day hoping I’d sleep at night.
Now it’s night, almost the next day. I’m sleepy. I can’t sleep.
I feel, in this weariness, that I’m all of humanity.
It’s a weariness that almost turns my bones into flesh...
We all share the same lot...
Flies with caught wings, we stagger
Through the world, a spider web spanning the chasm."

- Fernando Pessoa, from A Little Larger Than the Entire Universe: Selected Poems

Monday, June 12, 2017

In Their Shape

To Teta, once again...

We die, they say
But we never die, they say
We carry our dead in our hearts,
They live in us, they say

They say so much, they say so little…

She was here, they say
I remember her, they say
It was a long time ago, they say
It was like yesterday...

I hear so much, I say so little…

She’s somewhere, they say
Looking over you, they say
I look over my shoulder,
Still searching…

One day she’s at the beach
Collecting shells, they say
And years later I’m back here
Collecting my breath…

I won’t go back, I say
I’m done, I say
I moved on…

But moving on, a part of me snags
Dragging behind like a dead limb.
Is it me? I say
Is it her? I say

They say nothing; they only nod.
I guess that’s how we carry our dead, I say:
Our heart, dragging behind, looking like them…

(Originally posted on January 3, 2015)

Saturday, June 03, 2017

"Smoke and Gold: Cedar Key, 1988" by Joe Bolton

When a moon rises to moor the evening star,
The Gulf swells, making the distance to Texas
Irrevocable. . . .
                          There are ships out there
That say goodbye repeatedly in your sleep,
Ships that never arrived
Where someone might still stand waiting
On the far shore.

                          Meanwhile,
There is the magic Floridian hour
When the sea flashes with sunset,
When the sky becomes almost
Tangible in its painterliness, and memory
Rolls loaded dice across the waves. . . .

Still, in the soft metallic resonance of twilight,
The closest thing you have left to a soul
Is the smoke from your cigarette drifting out the window
Of a hotel room, number nine, and what little
You can remember of the little love you made.

And at night here there’s nothing to do
But lie down beside your lost self
And the lost selves of others you have lost . . .

—As the dark ghosts of ships
Sound their goodbyes, never arriving
                                                    at the far shore.

- Joe Bolton, from The Last Nostalgia

Saturday, May 20, 2017

Smells

You'd think progress is a continuous forward motion, but it apparently meanders, loops on itself, and sometimes feels like it's going nowhere. Such is the case of gay rights in Lebanon apparently. Twelve years ago this poem was included in Helem's From Heart to Soul: A Feast on Poetry. The poem wasn't anything special: it's not anthemic, it's not heroic, but it is at times explicit in a casual manner. And it is this casual explicitness that feels revolutionary now. I repost it here, on the occasion of the first Beirut Pride and its continuing struggle against homophobia and religious intolerance, because it pisses some people off, those that need to be pissed off. #WhenWeRise #وصمة_عار

The clouds floated out the window
above their chatter;
it was the time when happiness was
capturing their radiant edges
in freshly discovered tempera.

The sea was stoic still in those days,
a giant ashtray for sunbeams.
I had just discovered Michelangelo:
David and Adam glowed
with the sheen of first porn.
And it was raining in Beirut.

My dad waited all evening for my call
and I stubbornly waited for his.
In the end, we didn’t speak.
When I spoke to him today
his voice sounded metallic
like the rain in Beirut.

In between spells of poetry
I cleaned my cum off the bathtub floor.
I awaited something to happen that night,
But nothing stirred.
So I taped myself jerking off
and jerked off to it.

Not knowing what to do next,
I poured my values into a large plastic yellow bowl
and popped it into the microwave,
hoping that in the patter
I may divine my answer.
But my values melted
with the smell of Styrofoam.

The hallway was growing longer,
sprouting doors as it went.
I just stood there,
scratching a carpeted post.
And for some reason,
if you came close enough,
you could smell the sadness, too.


(Originally posted on 23 November 2005)

Wednesday, May 03, 2017

Jellyfish

She stood in the middle of the sea
With dead jellyfish floating around;
She opened up her arms and said,
My heart is big enough for everybody.
I did not believe her.
I still don't.

The plucking of the strings
On a white wall that's rubbing off,
Footsteps on cobblestone
And a silence that only the heat is capable of...
Her lies smell like orange peel,
Tart and bitter.

I still comb the shore every now and then
For pieces of jellyfish from that day
But there's nothing on the sand but foam
And the smell of orange peel.

May 2017 selection for BaseNotes' Scent Verse
(Originally posted on Sept. 8, 2004)